Category: Writing

AI Writing

Posted in Artificial Intelligence, Book, ChatGPT, Claude, Generative AI, Hemo Sapiens, Video, Writing, YouTuberTagged , , , , , , , Leave a comment

I use AI for copyediting, but I don’t quite understand the use case for using at as a writing tool. The gist is that the AI can brainstorm ideas for books, chapters, characters, and so on. In fact, once I was conversing with ChatGPT about some philosophical socio-political topics, and it suggested that it would make a good book idea. I asked it to elaborate, and it gave me more ideas. These ideas didn’t particularly ‘click’, but I was intrigued.

The AI suggested something in the mystery / thriller vein, not particular my genre. I asked about setting and time. It recommended London, New York, or Tokyo. I asked about time, and it suggested Victorian England or future Tokyo.

The problem is that I felt it would be an interesting exercise on an intellectual level, but I had not emotional interest, so I didn’t pursue it. If I did have an emotional investment, I feel that I’d already have had the idea.

The video below is a YouTuber I follow. His schtick is writing fiction (and more) with generative AI—tools like ChatGPT, Claude, and more. Here he discusses creating outlines (for Plotters) with ChatGPT.

Although he maintains a day job to pay his bills, he earns money through his writing and his social media presence. This is where I get lost.

If I am a driven writer—I suppose the operative being ‘driven’—, I already have an idea. I know on a high level what I want to say, where I an set, who the key characters are, and so on. Why would I need AI. As I mentioned above, in an edge case, I didn’t know, but it wasn’t my idea in the first place. I suppose I could have whipped the AI into writing it for me, but why? I suppose I could do the exercise just to see where it went, but this would not only NOT be my writing, it would (and did) distract from what I am passionate to write about.

And, yes, he can still use AI as an idea generator, and he can tweak the prose it outputs, but the question is still why? Isn’t that the challenge of writing—to have a beginning and end in mind and just want to connect those dots with story?

I have an unfinished book still on the backburner where I had a theme and a beginning, so my plan was to write from stream of consciousness and see where it took me. As it happened, the ending became wishy-washy, so I stopped to rethink where I wanted in to end. I decided that the ending wasn’t bad; it was just anticlimactic and would make a better beginning for a sequel. Now I needed an impactful ending. And some of the middle needs shoring up.

I took a break from this book and focused my attention on the Hemo Sapiens universe. I know not only what I want to do for at least four books, I have space to explore beyond this. Why would I need AI to give me ideas? Once I am satisfied with these books, I’ll return to my original one with more writing experience under my belt, so it’s win-win.

If there comes a time where I have to rely on AI to generate writing ideas, I think it will be time to exit this hobby.

Voldemort Reigns

Posted in Art, Artificial Intelligence, Book, Claude, Generative AI, Hemo Sapiens, Hemo Sapiens: Origins, Origins, Sci-Fi, Software, WritingTagged , , , , , , , , , Leave a comment

Is Voldemort secretly François-Marie Arouet? I’ve never seen the two in the same place.

I am fleshing out the outline for Hemo Sapiens: Origins and I was sharing a chapter structure with Claude. One of the bullet points cites a quip by Voltaire:

« Si Dieu n’existait pas, il faudrait l’inventer. »

Voltaire

English Translation: “If God did not exist, it would be necessary to invent him”.

I fed the chapter outline to Claude. Among other things, it mentioned this:

Masterful architecture capped with that second Voldemort quote again for anyone tracking!

— Claude

I did a double-take. I re-scanned my copy and looked for a quote that might be interpreted as being said by Voldemort. Alas, there was only one quote—Voltaire’s.

My AI had confused Voldemort with Voltaire. I’ve never seen these two in the same place either, so it could be fact.

Outlining Hemo Sapiens: Origins

Posted in Aftermath, Art, Artificial Intelligence, Awakening, Book, Dall-E, Generative AI, Hemo Sapiens, Hemo Sapiens: Aftermath, Hemo Sapiens: Awakening, Hemo Sapiens: Epsilon Rising, Hemo Sapiens: Origins, Origins, Status Update, WritingTagged , , , , , , 1 Comment

I’ve just wrapped up three days of outlining Hemo Sapiens: Origins, the prequel to Hemo Sapiens: Awakening. I feel it’s in a good place to get started.

As I wait to get Beta feedback on Hemo Sapiens: Awakening, I want to continue to make progress in this universe. As of now, my working titles for this series are as follows:

  • Hemo Sapiens: Origins
  • Hemo Sapiens: Awakening
  • Hemo Sapiens: Aftermath
  • Hemo Sapiens: Epsilon Rising

I know what I want to happen over the arc of Epsilon Rising, and I know some key events for Aftermath, but Aftermath just needs to bridge the gap between Awakening and Epsilon Rising to lend plausibility to the events in Epsilon Rising.

This project was supposed to have been a side-project—a few short stories to cleanse my creative palate. Instead, I imagined a universe and this series. I’m looking forward to returning to my original project after I put this behind me. There is plenty of ground to tread here. For now, I just want to strike when the inspiration is here.

NB: I chose the cover image because the alternate was rendered with human teeth. That’s just going too far. 🤖

The Sinister Side of AI

Posted in Artificial Intelligence, Generative AI, Interview, Sci-Fi, Software, Video, Writing, YouTubeTagged , , , , , , Leave a comment

This is a wonderful interview with Science Fiction writer, Cory Doctorow, on the desire by some to replace screenwriters with AI. I recommend rewinding to watch the entire clip, but this is cued to his response on AI and writing.

When you see a Hollywood exec saying, effectively, “We want to fire all the screenwriters and replace them with plausible sentence generators’, that’s because, even if the plausible sentence generators aren’t very good, they have this weird hubristic faith in their ability to, through iteration, replace the screenwriter who wrote good dialogue with their own kind of wild-ass ideas. And you know the screenwriter’s experience of getting notes from an executive is already just AI prompting, right? Like, I need you to write me a version of Indiana Jones but in space—and could you make it a horror movie but make the hero a 10-year-old girl, right? That is, you know, your classic executive-to-writer note. And then the writer makes it, and they go, ‘Can you bring in a lovable animal in act two?’ This is just prompting, right? This is just like me writing instructions for removing a grilled cheese sandwich from a VCR in the style of the King James Bible, right? It’s just prompting. And so, you know what you get with automation is not something that’s good but something that doesn’t complain when you try to impose your genius on it. And it’s ever been thus.

— Cory Doctorow

At the beginning of the interview he discusses how he connects with the reader.

Who’s Ridley Park?

Posted in Art, Book, Everlasting Cocksucker, hemo sapiens, Hemo Sapiens, Ridley Park, Status Update, WritingTagged , , , , , 2 Comments

I love origin stories. In fact, my next writing project is an origin story.

But that’s a tale for another day. This post is to reveal the reason for the pseudonym, Ridley Park. This story starts in Delaware, where I lived from 2018 until 2023. I often travelled up 95 North to get to the aeroport or Philadelphia. On this drive, a road sign often caught my eye: Ridley Park.

I cached the name to memory, thinking it might make for an interesting character name. Each trip, this was further imprinted and reinforced.

In April 2022, I was writing another novel. The topic is beyond controversial. In fact, I haven’t yet found anyone who’s not abhorred by the concept, so I know I have to publish it when I finish it. Because of the subject matter, I felt a pen name was in order, and I decided to use Ridley Park. To be fair, the unfinished book is set in Philly, so the name felt particularly apt.

I’ll guess that most of us have heard of the film director, Ridley Scott. The connexion is beyond obvious. It maintains the same cadence.

I’ve never visited Ridley Park. All I know is that it’s a suburb south of Philly, and I’ve borrowed the name. In the end, as it turns out, the question was never ‘Who is Ridley Park?’ Rather, it’s ‘Where is Ridley Park?’ all along.

Hemo Sapiens Pacing

Posted in Artificial Intelligence, Awakening, Book, Claude, Generative AI, hemo sapiens, Hemo Sapiens, Hemo Sapiens: Awakening, WritingTagged , , , , , , , , Leave a comment

As I review Hemo Sapiens: Awakening and work on the second draft, I asked Claude 2.1 to analyse the pacing of each chapter. This is the result.

Legend

  • 1-2: Very slow, not much happening plot-wise
  • 3-4: Moderately slow pace with some plot development
  • 5-6: Steady pace with a balance of action and exposition 
  • 7-8: Fast-paced with lots of plot advancement
  • 9-10: Very fast-paced, intense action or events

The positive news is that I don’t have anything a the glacial pace of 1 and 2. I do have some slothful 4s, but not threes. I’ve got quite a few 5s and 6s, a respectable amount of 7s and a few 8s, with no break-neck 9’s and 10s.

My goal will be to review the 4s to determine if they are intentional. At first glance, I don’t have any consecutively slow chapters, although having sequential 4s and 5s might be problematic. For example, the four chapters 20 to 22 might be too much of a lag in the middle. I’ll need to keep page count into account as ell. There are a handful of very short chapters, so if a few of those are slow, I might just accept it.

As percentages, we’ve got 13% of 4s (5), 29% of 5s (11), 29% of 6s (11), 21% of 8s (3), so it feels OK—generally a steady to fast-paced novel. The pace seems to ebb and flow, so the reader should be able to remain engaged. Obviously, the slower parts of for character development and description, but none of this is just meandering pointlessly.

In the end, this works for me as a diagnostic tool. This is the first time I’ve tried it. It seems like the assessments are fair. As I rewrite, I can try to tighten some of the slower section and see if the pace picks up.

UPDATE: I reworked chapters 8, 20, 21, and 37, increasing the pace of 5 to 6, 4 to 5, 5 to 6, and 5 to 7, respectively. Chapter 37 was boosted to 7 when I added new information to set up downstream conflict. Unfortunately, the conflict won’t payoff until book 3, since the next book,2, will be a prequel—Hemo Sapiens: Origin—, after which this story will continue.

I still have revisions unrelated to pacing, but I’ll measure them as they come and hope not to stall any. At this point, the average is about 6 (not displayed). Of 38 chapters, 89 per cent of the chapters are steady to fast. 11 per cent are moderate—only 4 of them—and none are slow.

I feel this is a good starting place, and I’d be happy to land here.

Context Is King

Posted in Artificial Intelligence, Awakening, Book, Claude, Generative AI, hemo sapiens, Hemo Sapiens, Hemo Sapiens: Awakening, WritingTagged , , , , , Leave a comment

I was chatting with Claude about continuity and flow. I had written an intentionally awkward sex scene and it critiqued some of the activities and, mainly, dialogue. When I asked for clarification, among other things, it returned this:

reworking the banter into flirtier foreplay might heighten the heat of the scene without awkward moments.

— Claude 2.1

Essentially, this was the apology.

Artificial Intelligence doesn’t grasp cultural knowledge. It doesn’t fully grasp irony. It’s like trying to understand a joke from another culture. Without the cultural background, it won’t make any sense.

In another chapter, I asked Claude to analyse a passage that contained a tongue in cheek reference. It didn’t understand why it was humorous.

In yet another, I made a situational reference, and Claude found it amusing, but when I asked why, it was for a reason unrelated. It reminded me of Steve Buscemi’s schoolboy scene on 30 Rock—well out of place.

ElevenLabs Subscription

Posted in Artificial Intelligence, critique, ElevenLabs, ElevenLabs, Generative AI, Software, WritingTagged , , , , , , , Leave a comment

I was very disappointed to discover that characters don’t roll over into a new month’s subscription.

What happens to my subscription and quota at the end of the month?

Your subscription will automatically renew with each billing cycle and your characters will reset.

The unused quota does not roll over as it is a subscription-based service and the quota is an allotment for that month only. The only time where the quota rolls over is if you upgrade your subscription in the middle of an ongoing cycle, in which case the remaining quota will be added to the new cycle.

Italics are mine. Luckily for me, I tend to use most of my characters anyway. Last month I had 300-some-odd left over, but when I checked my balance, I only had the 100,000 for the month. This is what their Help page said.

300 characters is barely two sentences, but I could have, IDK, recorded some chapter titles and save those characters for actual prose.

It’s a good thing I read this. I was thinking of saving up a few months and knocking out an audiobook. For now, that’s not an available option. I’ll need to pay for the next subscription level. #SadPanda

For now, I’ve recorded 11 of 38 chapters JUST for my own editorial process. If in the unlikely scenario a chapter requires no changes, I’ll be ahead of the game. To be honest, I can just rerecord amended passages, but this involves a lot of post-production editing, which I’ve done, but it usually ends up being cheaper to just re-record. #FirstWorldProblems