Category: Awakening

Mates, the proofing process was Hell. I even count the number of times I reviewed my book, Hemo Sapiens: Awakening. Then I sent it out to a couple of Beta readers, one of whom went over and above and did some proofreading, which I appreciated. I made some amends, and I ordered a proof.

The proof arrived relatively quickly—even without expedited shipping, which would have been more than twice the price of the book.

Lessons Learnt

• Get a proof copy of your book
  Don’t skip this step. It’s inexpensive and is key to assessing formatting issues. It is also an opportunity for last-minute proofreading. I discovered probably 4-dozen nits that slipped through the cracks.
  
  • Layout
    In one case, I had an indefinite article (a) orphaned at the end of a line. I entered a soft return to get it to start on the next line to enhance readability.
    
  • Cover Art
    Silly me. I designed and composited the cover, and I didn’t hide the bounding rectangles I used to reference how my cover, back, and spine present. My proof copy has these rectangles in place. It’s not a huge issue, but it is an aesthetic flaw that I corrected.
    
  • Major Misses
    This is not as likely to happen to most authors, but this books began its life as four or five short stories that were in the same universe on a shared timeline, so I decided to add connective tissue and create a novel. The problem is that the short stories were set in Bristol, London, and Manchester, but I needed to set the novel in a single location, and I chose Manchester. A beta reader noticed that I even though the story was in Manchester, I left a scene having a character reflecting on the Thames, which is a feature of London. I changed it. Unfortunately, there where two instances. I was lazy, and I changed the instance they pointed out to a generic ‘river’, but I left another instance as ‘the Thames’. Oopsie.
    
  • References
    Another issue I caught is again fairly unique. I wrote out a male character and offloaded his scenes to a female character. I decided that I didn’t have enough material and differentiation for the two characters. It sounded good at the start, but he didn’t make the final cut. The problem is that I missed a few ‘his’ to ‘her’ pronoun swaps. Oops.
    
  • Punctuation
    Man, I missed a lot of question marks and a few commas. Nothing major, but it matters.
    
  • Spelling
    OK. Not too many here, but I had swapped a wonder for a wander that I missed the first hundred times through.
    
  • Spacing
    Again, minor formatting issue. The biggest offender was rogue spaces between en-dashes and trailing commas: – , instead of –,. It’s a little thing.
    
  • Tenses and POV
    This book was written in third-person, present, limited, deep point of view. Or that was the goal. All too often, I would slip into past tense. In some cases, it might have been OK, but I edited a lot back into present tense.
    
    I also switched several times out of limited into omniscient. To be honest, I left some of this alone.
    
    I was also guilty of some incidental head-hopping. Sue me. It happens.
    
  • Create Your Audiobook First
    OMG. I thought I was done, but I found so many small issues when I was forced to micro-focus for the audio version. It helped so much. I have been told to read your book out loud—advice I follow—, but I still uncovered a treasure trove of mistakes in the audio version. Moreover, some things that didn’t sound awkward earlier, now did, so I had the opportunity to change it up.
    
  • Last Minute Amends
    As it happens—in line with the audio version advice—, feel free to make more substantial content amends. My favourite one. When I heard this line during an audio review—I was literally listening in bed—, I got up and changed it immediately.
    
    • Before: When they arrive at the compound all is quiet except for the crickets that pause to listen.
    • After: When they arrive at the compound all is quiet except for the occasional cricket.
      
  • Obviously, crickets pausing to listen are also quiet, so…
    
• Give yourself time enough time to do a thorough review
  I set a 1 March release date, so I left myself plenty of runway to take off.
  
• Be patient
  Even though I gave myself plenty of time for review and amends, I rushed the process and approved a book that wasn’t ready for approval and had to do late revisions.

I”ve probably not mentioned some, but I had the opportunity to fix each of these mistakes, so I’ll bookmark this page and my next book will be that much easier to publish.