AI Editor Issues

I employ AI editors for copyediting and alpha-reading. They are useful but have limitations.

Some of my writing is ordinary – Acts I, II, and III; Beginning, Middle, and End. This is AI’s sweet spot: assess a piece and compare it to a million similar pieces, sharing plot structures, story and character arcs, heroes’ journeys, and saving cats.

Other stories are experimental. They don’t follow the Western tradition of tidy storylines and neat little bows, evey aspect strongly telegraphed, so as not to lose any readers along the journey.

Mary approaches a doorway. Mary opens the door. She walks through the doorway — the doorway she had approached.

Obviously, this is silly and exaggerated, but the point remains. AI presumes that readers need to be spoonfed, especially American audiences. (No offence.)

But life doesn’t work like this. We often witness events where we have no idea what happens after we experience them. We pass strangers on the street, not knowing anything about their past or future. We overhear something interesting, never to get a resolution. We get passed by for a promotion but never know the reason why.

In science, there are lots of dead ends. Do we want to know the answers? Yes. Is one likely? Maybe; maybe not. Will we make up answers just to satisfy our need for closure? It happens all the time.

In writing, we seem to not accept these loose ends. How many times have you read a review or critique where the complaint is, “What happened to this character?” or “Why didn’t Harry Potter use his invisibility cloak more than once despite it being an obvious solution to many prior and future challenges he faced?”

Sure. I agree that it feels like a plot hole, but the author doesn’t have to tell you that Harry lost it in a poker match, it got lost in the wash, or Ron snatched it.

I’m finishing a story, and various AIs provide similar commentary. Even more humorous are the times it can’t follow a thread, but when a human reviewer reads it, they have no difficulty. In the end, there may be unanswered questions. Some of these leave the universe open for further exploration, but not all questions have answers. AI has difficulty grasping this perspective.

AutoCrit Challenges

I don’t hide the fact that I rely on AI for early editorial feedback. Once a story is complete, I break out AutoCrit. This programme works well for typical stories that follow standard practices with common tropes. It gets quite confused when I feed it intentionally awkward stories, not the least of which is to advise me to eliminate the awkwardness.

This is a challenge with AI more generally. In this particular story, I leave a lot of loose ends and misdirects, as it’s a commentary on the conspiracy-driven culture we inhabit. The advice, is along the lines of, “You forget to close this lopp. What happened to so and so.”

But this is life. We don’t always know the full story. We drive past an multi-car accident where cares are overturned and in flames, but we never find out what happens – even if we scour the newspapers and internet. Who was that? What happened? What caused it?

We often never find out. In most books and movies, we find out everythung, and it all comes packaged with a nice bow. This is what AI expects. It’s the diet it’s been fed.

Some stories subvert these notions here and there, but by and large, this is not typical American fare. Readers and viewers need to be spoonfed without inconsistencies.

Speaking of inconsistencies addressing one scene, AutoCrit said that a character should act impulsively in one situation and reserved moments later. This was flagged as an iinconsistent character.

In the scene, a woman stops her car immediately to help an injured man on the roadside, but as she gets out of her car an approaches her, she shows caution.

This was a red flag. Why would she have always been rash or always been cautious?

My response, because that how real people act. She acts on instinct but quickly considers that she’s a vulnerable woman alone with a man miles from anywhere.

I don’t suspect a human reader would find this surprising. This is the intelligence absent from Artificial Intelligence — cultural intelligence, a cousin of EQ, emotional quotient.

I know how I want the character to act. I do want AutoCrit to inform me that character A is wielding a pistol but then stabs another character, or that character B is a teetotaler and is getting drunk or that character C has a shellfish allergy but is downing lobsters like they’re going out of style. And I certainly what to be shown continuity errors.

The biggest challenge I have with AutoCrit that is less promonent with other AIs is that I can preface my content with a note explaining my intent. I can even do this after the fact.

If I feed ChatGPT, Claude, or DeepSeek a story of segment to critique without a preface, the responses may be similar to AutoCrit, but when I follow up with some meta, the response may be, “Now it makes sense, but why is John wearing lipstick?” Perhaps he’s metrosexual or non-traditional. Perhaps it’s an oversight.

I dont meán to demean AutoCrit. I’m just advising that if you are writing stories not compliant with 80 per cent of published works, take the advice with a grain of salt, or reserve AutoCrit for more standard fare.

AutoCrit Innards

Writing is hard. Short stories are worse. I started Mind Without a Mirror a few days ago as a short story project. After a dozen major revisions, I got to a place to run it through AutoCrit. I’ve been using AutoCrit for a couple months, and it’s been useful as an editor before I connect with a human editor or Beta reader.

Today, I think it split its guts. I clicked on the Character tab. This is where it assesses your character traits, strengths, weaknesses, and some other aspects. As you may notice for the first character, Ada, it returns a terse response. This is usual. The second character Echo went off the chain.

Major characters including Ada and Echo provide contrasting perspectives aiding in highlighting different facets of conflict surrounding Sol’s disappearance:

1. Ada – Her impulsiveness offers tangible counterpoints but sometimes lacks depth behind motivations driving rash decisions; deeper backstory integration can enrich relational dynamics while avoiding plot holes associated with seemingly arbitrary choices leading toward unnecessary risk-taking scenarios without sufficient narrative justification.

2. Echo – As a voice urging caution yet pushing boundaries intellectually rather than physically contrasts effectively against both Ada’s impulsiveness and initially hesitant nature exhibited by Nova; further scenes emphasizing logical deductions alongside emotional intelligence contributions can elevate effectiveness within group dynamics exploring unknowns collectively ensuring smoother narrative cohesion devoid apparent gaps particularly during critical junctures necessitating unanimous decision-making processes amongst protagonists’ circle thereby mitigating potential dissonance arising from conflicting individual agendas undermining collective objectives pursuit efficiency notably during climax build-up phases preceding resolution stages inherently reliant upon concerted efforts fruition realizing overarching goals set forth early onset storyline unfolding sequence events trajectory mapping course eventualities encountered en route denouement culmination point reached conclusionary chapter segments encapsulating thematic essence distilled core message intended conveyed audience reception interpretation thereof facilitated 

I shared a screenshot so you can see the random word dump. Perhaps it’s speaking in tongues. Toward the bottom of the laundry list, I see a lot of professional titles below some superlatives.

I don’t know. AI is strange. I wasn’t planning to post anything today, but I just had to share.

Intelligence and Cognition

It seems that I am constantly apologising for not posting more here. Have no fear, these apologies appear on my other sites, too.

My absence here is due to another writing project I am focusing on. The competing project has a working title of “Democracy: The Grand Illusion“. It’s a work of fiction, so I am documenting it on my Philosophics blog.

Recently, I’ve been posting content related to my initial editorial process using AutoCrit.* I was planning to produce content for this site as well as YouTube using Hemo Sapiens: Awakening as the source material, but since I am currently writing this academic non-fiction piece, I figured I’d apply it there.

For me, writing fiction is different to writing non-fiction. With fiction, I have an idea, and I document a possible skeleton framework. This may (and does) change as I make progress, but it serves mainly as waymarkers to orient my original idea. In this manner, I am more of a planner than a pantser.

Once I establish this structure, I start writing exposition, and all bets are off. I do not feel restricted by this framework if my subconscious has a different idea and the characters and narrative come to life.

On the other hand, non-fiction is very planned and structures. I create chapters for continuity and flow. Then I place all sorts of section content within each chapter and record thoughts and citations.

For this book, I did most of this in 2021-22 during the tail end of the COVID debacle. I stopped and started, but this month I am re-engaging. As the skeleton and muscular systems are already in place as are many organs, I need to add the rest and flesh it out. This is how I occupy my days.

Despite the planning, nothing is cast in stone. Case in point, I had just drafted a chapter on Defining Intelligence. It included sections on.

  • Intelligence
  • IQ (as a proxy for intelligence)
  • Emotional Intelligence
  • Multiple Intelligences
  • Cognitive Biases

I thought I was done until I decided to add a section on Cognitive Deficits and Limitations. This inclusion prompted me to rename the chapter to Intelligence and Cognition.

I expect this book to be completed in 2024. I’ve written some 58,000 words with another 30,000 more likely. I don’t really have a target in mind—just the content I want it to cover.

I may still pop in to demonstrate AutoCrit on my published book as I feel it may be instructive.


* AutoCrit is an AI-based editorial application. I am a member of their affiliate programme, so I gain minor financial benefits at no cost to you if you purchase through a link on this page.