Psychic Distance

I was too clever by half. I am drafting a new project, likely to be a novella, and I wanted to try something different.

Before Claude dashed my hopes, I thought I was onto something novel. The working title is Two Kings. The device was to employ a camera-dolly metaphor from a third-person perspective. Distant scenes were captured even in a casual past tense, whilst close shots would be intimate, in the immediate present tense.

I imagined framing, focus, aperture, and focal length. Is it a wide establishing shot or macrophotography?

As I discovered, this technique was published in The Art of Fiction: Notes on Craft for Young Writers by John Gardner in 1991. In summary, it looks something like this:

LevelDescriptionTypical effect
FarHistorical, panoramic, formal, report-likeScope, authority, irony, myth, social structure
Medium-farCharacter viewed from outside, with some interpretationSocial legibility, behavioural reading
MediumCharacter’s feelings or attitudes stated plainlyOrdinary narrative access
CloseCharacter’s perceptions, assumptions, and pressure shape the proseImmediacy, sympathy, tension
Very closeSyntax and imagery approach thought, sensation, or psychic ruptureEmbodiment, panic, desire, shame, dissociation, revelation

I don’t wish to overshare his book, but this is the essence. I have since read the book and will incorporate some of it, including this, in this manuscript.