
I’ve been distrated on other projects, so I’ve been negligent updating here. Meantime, this image came across my feed, and I’m sharing it here.
Author
Generic post to communicate what’s happening.

I’ve been distrated on other projects, so I’ve been negligent updating here. Meantime, this image came across my feed, and I’m sharing it here.
So this happened. I submitted Hemo Sapiens: Awakening as an audiobook, and it was rejected. The site says that they’ll let me know why in a couple days. My question is: if you rejected it, don’t you immediately know why?

I think I know why, but I can’t ‘fix’ the problem if I don’t know what it is. I don’t want to act on an assumption.
I believe they’ll inform me that I can’t use AI-generated narration. This would be odd because they have a programme in Beta where they provide the service of automatically converting the text of a book to audio. To be honest, it doesn’t sound amazing. It appears that they are using their own Amazon Polly, which I like, but you need to babysit it hard. It is very unlikely to sound good without heavy hand-holding. As it is, I hand-held my ElevenLabs AI to make the outcome sound like a professional human.
Audible offers some voiceover actors, but I didn’t like any of them, and they couldn’t compete with my ElevenLabs voice. I can understand that they don’t want to sell audiobooks that sound like Stephen Hawking, but theirs sound closer to him than mine.
On another note, I had to render and upload square cover art. There was a stated restriction disallowing padding a rectangular cover image with space or colour to make it square. I followed this rule, but this is exactly what they do. They take the cover of the book you’re selling through Amazon, and they pad the left and right margins with filler colour. I may append the rationale they provide once I’ve received it. Until them, my audiobook is on hold.
Hemo Sapiens: Awakening is a compelling near-future science fiction novel that explores issues of identity, belonging, and the struggle for personal sovereignty. When a community living off the grid is discovered by the authorities of a dominant society, their entire way of life is threatened. Forced to assimilate into a culture not their own, they must make an impossible choice – abandon their traditions or fight to preserve their cultural identity at any cost.
This thought-provoking book sets the stage for an epic series that investigates the origin of these mysterious people. Their future hangs in the balance as the reader joins them on a journey of self-discovery. Will they succumb to conformity or rise up to claim their autonomy?
I’m the author, Ridley Park, and I invite you to immerse yourself in this imaginative new world and come along for an unforgettable adventure. Hemo Sapiens: Awakening is available now in hardcover, paperback and ebook formats. Audiobook versions will be released in February 2024. Get your copy today!
I’d like to thank the person in India who earned me $0.02 by reading 17 Kindle pages of Hemo Sapiens: Awakening. Reading on Kindle Unlimited is free—time aside. Read the whole book, and I’ve earned $0.50. In time, we’ll be as rich as astronauts.
Here thee, hear thee. It’s about time. Hemo Sapiens: Awakening is finally published and available for purchase reading.
It’s been quite the journey. It started in August 2023 as a diversion from another project, but it ended up taking precedence.
Per the blurb on Amazon, the book is about this:
Genetically engineered and cloned in secret, the “Hemo Sapiens” have lived isolated on a farm in Manchester for decades—until their extraordinary nature is revealed.
Suddenly these “Bloodsucking Intelligent Humans” find themselves persecuted as dangerous outsiders. As hysteria escalates and mobs attack, the fiercely loyal and mostly innocent family fights for acceptance while struggling to find answers about their shadowy origins and uncertain destiny.
A genetics professor’s rash scientific revelation sets off an explosive chain reaction entangling ethics, prejudice and politics. At stake is nothing less than the family’s human rights—and what it truly means to belong.
Can these reluctant pioneers overcome fear to integrate into a society both fascinated and repulsed by their very existence? This thought-provoking saga confronts what diversity, progress and being human entail in an increasingly hostile, high-tech surveillance state that is meant to protect but may also oppress.
Amazon Marketing Blurb
The book currently available in many global regions as hard cover, paperback, or Kindle. I am currently working on the audiobook version, which should be available by March 2004.
For the sake of simplicity, below are links to the various marketplaces: Australia, Brasil, Canada, France, Germany, India, Italy, Japan, Mexico, Netherlands, Poland, Spain, Sweden, United Kingdom, and United States. Not all formats are available in all regions. As of today, this is the availability.
(ISBN: 979-8872481942, Case Laminate 6″ x 9″, gloss)
(ISBN: 979-8870961422, 6″ x 9″, matte)
US UK DE FR ES IT NL PL SE JP CA AU
US UK DE FR ES IT NL JP BR CA MX AU IN
In addition to the audiobook, I am also working on releasing a standard hard cover with a dust jacket and a smaller mass market form factor paperback.
All of this distracts me from writing the prequel, Hemo Sapiens: Origins, which I hope to release before 2025.
Mates, the proofing process was Hell. I even count the number of times I reviewed my book, Hemo Sapiens: Awakening. Then I sent it out to a couple of Beta readers, one of whom went over and above and did some proofreading, which I appreciated. I made some amends, and I ordered a proof.
The proof arrived relatively quickly—even without expedited shipping, which would have been more than twice the price of the book.
I”ve probably not mentioned some, but I had the opportunity to fix each of these mistakes, so I’ll bookmark this page and my next book will be that much easier to publish.
Goodbye 2023. We hardly knew ye.
My first novel, Hemo Sapiens: Awakening, is locked and loaded. I’ve reviewed the digital proofs, and the physical copy should be arriving in the post in the next few days. I wasn’t willing to pay more to shave off a day.
I am publishing a paperback and case laminate hardcover. I ordered one of each to proof, but the hardcover has a 4 to 5 week delay, so I won’t bother. The paperback is the same interior content. I had to render a larger cover for the hardcover. Not because of the dust jacket—because there is none. They have to wrap some around the edges. The case laminate reminds me of grade school books, like Hardy Boys and Nancy Drew. It feels a bit amateurish, but it doesn’t cost me more to set it up, so I figure why not.
It does cost more for materials and handling—almost double—, so I have to charge more and have lower margins. I’ll leave that for the reader to decide if the durability is worth it. I decided to take even smaller margins in ex-US markets just to have more even prices.
As it stands, the hardcover will be available for USD 20 and the paperback USD 12.99. This affords me room for promotional discounting later. In Europe, hardcover prices will be £15 and €18.
Paperback prices will be £10.21 (I know. Wierd.) and €11.75. There will also be APAC editions ¥1980 and AUD 20.99 (each including VAT). In Canada, it should cost CAD 15.
Here’s to a happy, healthy 2024.
A challenge with beginning a story in media res and then writing a prequel, is that one is able to kick the creative can down the kerb and cross the bridge when you come to it. I’ve painted myself into a few corners, but exowombs, or artificial wombs, are one of them.
Being speculative fiction, I have some leeway, but I need to make some plausible connexions. Exowombs have existed for a few years now, but they are for premature infants and animals, so my literary licence needs to stretch that. To be honest, when I was contemplating things at a fifty-thousand-foot level, I was going from test tube to petri dish to incubator, but I overlooked the gestation bit. Oopsie. My bad.
This is not a work of hard science fiction, so I can take liberties there as well. I just hadn’t researched the current state of science until now. I’ve got a plot device in place, and it seems I’ve got some ideas for early concept and cover art that I can share here.
I rendered these with Dall-E 3. By default, it chose a green hue. I modified it to blue, and I wanted to see how it looked in violet to match their irises—this being an artistic rather than scientific choice. Bubbles in cylinders suspended with wires and tubes.

Rendering these early can also help me to write descriptive prose with visual references. Dall-E seems to have a thing for spheroids, so I asked it for cylinders instead. I do like this one.

My first correction got me to here. I like the metaphor of the egg membrane encasing the foetus in the tube.

Next, I wanted to envisage multiple cylinders with perspective, so I got these two.

The problem I have is that it seems to be too large of a scale, but it’s still cool. We seem to have lost the egg-shaped membrane by now.

Before settling on violet, I wanted to see what six across looked like. Dall-E’s maths skills are pretty dodgy, so this is what six looks like to it. You’ll notice that the violet render at the top does contain six.

I don’t have much to say beyond sharing these images. I don’t want to give too much away, but I am excited to be writing Chapter 5 where these are relevant to the narrative in play.
What do you think of the images? Let me know in the comments.
I’ve just wrapped up three days of outlining Hemo Sapiens: Origins, the prequel to Hemo Sapiens: Awakening. I feel it’s in a good place to get started.
As I wait to get Beta feedback on Hemo Sapiens: Awakening, I want to continue to make progress in this universe. As of now, my working titles for this series are as follows:
I know what I want to happen over the arc of Epsilon Rising, and I know some key events for Aftermath, but Aftermath just needs to bridge the gap between Awakening and Epsilon Rising to lend plausibility to the events in Epsilon Rising.
This project was supposed to have been a side-project—a few short stories to cleanse my creative palate. Instead, I imagined a universe and this series. I’m looking forward to returning to my original project after I put this behind me. There is plenty of ground to tread here. For now, I just want to strike when the inspiration is here.
NB: I chose the cover image because the alternate was rendered with human teeth. That’s just going too far. 🤖
I love origin stories. In fact, my next writing project is an origin story.

But that’s a tale for another day. This post is to reveal the reason for the pseudonym, Ridley Park. This story starts in Delaware, where I lived from 2018 until 2023. I often travelled up 95 North to get to the aeroport or Philadelphia. On this drive, a road sign often caught my eye: Ridley Park.
I cached the name to memory, thinking it might make for an interesting character name. Each trip, this was further imprinted and reinforced.
In April 2022, I was writing another novel. The topic is beyond controversial. In fact, I haven’t yet found anyone who’s not abhorred by the concept, so I know I have to publish it when I finish it. Because of the subject matter, I felt a pen name was in order, and I decided to use Ridley Park. To be fair, the unfinished book is set in Philly, so the name felt particularly apt.

I’ll guess that most of us have heard of the film director, Ridley Scott. The connexion is beyond obvious. It maintains the same cadence.
I’ve never visited Ridley Park. All I know is that it’s a suburb south of Philly, and I’ve borrowed the name. In the end, as it turns out, the question was never ‘Who is Ridley Park?’ Rather, it’s ‘Where is Ridley Park?’ all along.